As I haven’t blogged for a while, I thought I’d leave a wee note here to tell everybody that I’ve had enough of D Dorian (thanks Ali!). It’s not all about doing melodic minor keys properly. (I’ve been reading more of Schoenberg’s Theory of Harmony). I can be a bit tricky writting flowing chord progressions (the raised 6th and 7th can force though into lotsof dimished chords which then all need resolved) but the key has a lovely delicate feel to it. Seems a shame that it gets neglected in modern (pop) music. I guess the accidentals and the thought of having a scale that’s different on the way from the way down puts people off. At least, it put me off when I was learning scales on my cello years ago.